in my own reign I suffered
Renia White
Two poems by Renia White
Illustration by Olivia Twist
Renia White is a writer and instructor originally from Maryland. Her poetry can be found in The Recluse, Southern Indiana Review, the Academy of American Poets Poem-a-Day series, and elsewhere. She’s based in Brooklyn, NY where she’s at work on her next book-length project.
and when it came to pass that I could stomach
nearly every glimpse abaft this ragged hopscotch
—my way-making of meteoric precision—
I’d surmised: to travel, I’d have to span my own
heart’s continent—its rivets of fancy pudding shops
and cheap dumplings
languid landmarks erected out of neptunian necessity
uranian upendedness I’d invited along my walking
toward a star
I’d pulled toward me
by my wending
and it felt as if I was carrying something that looked
just like its name. if you knew it you knew and I walked
through the town having been everyone I’d already
exhausted.
I am on my -nth heart, I’d say.
could have arrived here subdued
soothed by a public garden
yet I’d chosen the darkest grift
brought myself to every fight I lost
could not find the foreign rift
moved along in riffs
of mastery and frailty
goodness on my lips
was king
king
knowing
we needn’t a king
off the shore of oneself again…
let me out right here—
radius from my own center
far enough to take it in
I’m meeting a man who
specializes in optics; we are
building a branch of understanding
*
among trees, I pretend I’m present
floral-dressed belligerence, half-scribbling
a coherent rendering of an ongoing storm
I lose my footing and press into the earth
where it gives–piercing the green
syntactically, whacking the cobblestone
with unpatterned glances
until I find a place to listen, a happening
that doesn’t see me coming, but can feel
Olivia Twist is an Illustrator and Educator from East London.The key threads which can be found in her work are place, the mundane and overlooked narratives. Her striking visual language comprises of a myriad of esoteric layers informed by a propensity for human-centered research methodologies.As a practitioner her aims are to provide her audience with the ‘shock of the familiar’ and to trigger greater intergenerational discussion. She has a strong interest in participatory design, relational aesthetics and documenting social history as it unfolds.
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