Roxana Sadvokassova (b. 1992, Kazakhstan), in her maverick approach, seeks to organically articulate and explore storytelling through different mediums, with respectful disregard to the labelling nature of the art field. Her current primary focus is film and comedy.
Losing her podcast virginity to NO NIIN magazine, in her pristine-falling-short-of-ASMR-voice, Roxana zig-zags drawing an apoplectic line between her comedic influences, her underwear & death fantasies, and solid advice given to Karl Lagerfeld by his mother. 17 minutes, with a singular goal: to understand how the hell did she end up being a half-baked comedian?
Gross & Melancholic podcast
To connect-the-dots once more, sharing a collection of songs – or a single song really – is very much similar to sharing emotions, skills, knowledges, time, food, or a room. Like being on a film set, a screening room, or a conversation together. Like sending the spontaneous text message to a stranger telling them how much you enjoyed their film.
READNettles in the Summer
Publishing creative works-in-progress is something we should be doing more of. Floating in a space of incompleteness, in-the-making-ness, and reckoning with each other is something we should be doing more of. And if anything, questing for certainty and completion in our industry is compromising our art on a collective level.
READIn defense of works-in-progress
I listen to my own heartbeat and the fluids stream in my gut system. There is a pace in the body that resembles musical elements; there’s loops, rhythmic patterns, melodic streams, there’s ambience. There is constant rhythm and movement inside the body as there is outside of it, in the earth, in the stars, in the wind, in the waters.
READA point of return
But what if I am comfortable in my own space? What if I don’t want to defy the impossible and all I want is to achieve my goals peacefully? Why should I compete fiercely with others to achieve my aims?
READOrdinary Life
