Assembly Plant, 2022
Teo Georgiev
Teo Georgiev, Assembly Plant, 2022
Teo Georgiev (b.1992) is a Bulgarian illustrator, designer and artist based in Helsinki. He is currently pursuing an MA in Visual Narrative at Aalto University, where he explores the intersection of comics and migration studies. His interest lies in Balkan history, migration trends and how feelings of belonging are being communicated and explored through visual means.
A specimen-style diagram on flower assemblage in preparation for ‘rooting’ delves into the topics of how to re-assemble oneself to set roots somewhere. Do we change ourselves and re-assemble our features to be allowed to remain in the garden, or do we tend a small corner in a garden of our own? Often ‘belonging’ is a concept that exists within change. We can belong to many contradictory concepts, not necessarily following a specific blueprint.
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Art / 05.2022 / Julianna Hyrri
READI find the topic of artist residencies and friendships very personal and relevant for me as an artist. At any residence, time always seems to run out and eventually, people leave for different roads. The image hints at moments where activities have been interrupted: food is on the table, sketches and supplies are wide open, and the outdoor space flows into the interior.
Five timeframes, countless companionships
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Art / 03.2022 / Teo Georgiev
READA specimen-style diagram on flower assemblage in preparation for ‘rooting’ delves into the topics of how to re-assemble oneself to set roots somewhere. Do we change ourselves and re-assemble our features to be allowed to remain in the garden, or do we tend a small corner in a garden of our own? Often ‘belonging’ is a concept that exists within change. We can belong to many contradictory concepts, not necessarily following a specific blueprint.
Assembly Plant, 2022
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Art / 12.2021 / Warda Ahmed
READThe starting points of this work were related to relaxation and finding one’s own space. The picture has direct and indirect hints from which you can deduce the soundtrack of the illustration.
What Would I Rather
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Art / 10.2021 / Jade Lönnqvist
READI personally don’t like to be touched so I rarely get my hair done. I wanted to capture that moment of how it feels for me in the first hour of braiding since I can’t quite put it into words. There’s anxiety but also excitement. A feeling of foreignness but also of belonging, warmth and kinship. It’s ordinary and also a special occasion.
Untitled