Editorials
Directness is a desirable quality and very hard to possess, and not just for an artist, no need to nod yet, I have just started talking about directness and why it’s natural to feel like an imposter.
READEditorial / April 2022
The Western sense of superiority over all other beings in the universe isn’t something that needs further “unfolding” or “unearthing”. I don’t want to get into the deep-seated anger I felt when I saw all the Finnish art and culture institutions that we have been urging for months to extend solidarity to the Palestinian struggle for decolonisation publicly and to participate in the boycott, divestment, and sanctions (BDS) movement, have not wasted one moment in issuing solidarity statements for Ukraine and halting collaborations with Russia. Mohammed El-Kurd was on point when he wrote, “Hypocrisy” doesn’t describe this adequately. The appropriate word is psychosis."
READEditorial / March 2022
A couple of weeks ago, we were chatting about being upfront, and I said that I too want to be like that - ‘upfront and take it on the chin’. E responded, “Yes, you should do that, I’ll support you.” Imagine two women killjoying their way into work and life, aha, the joy!
READEditorial / December 2021
After a long period of silence in live artistic acts since last year, we have realized how powerful live art can be to build a sense of kindness among strangers that are standing at the same place, same time, enjoying the same live act. A kindness that could be an initial point for a radical care action. Art can make visible that care is not only a human relationship, and that is the central point of the Baltic Circle Festival and this current Issue.
READGuest Editorial / November 2021
the brown women
looked up, befuddled.must we continue doing this?
net-lifting every blow?
or should we shoulder instead
READ
each other’s politicality?
centre pleasure,
read love poetryEditorial / October 2021
Both catastrophe, and ‘comfortable’ routine, bring impatience. While our catastrophic impatience stems in part from repeated accounts of our trust being mishandled, it also stems from a desire for some form of express speed justice – so that we can do what we can and move on to what we want to do. However, this approach usually leaves little room for dialogue and understanding of each other’s points of view.
READEditorial / September 2021
The dual mode of imagination that an outsider is compelled to maintain is neither reductive nor simple. Their silenced voices are always looking to re-occupy the spaces which have been denied to them or are being appropriated by those who claim to speak on their behalf. These various types of knowledges must be able to be performed in our voices. At NO NIIN, we are looking at the peculiarities of urgent and necessary voices, their chaos, and meaningful instances of the contributors’ non-standard, personalized orthography of every issue.
READEditorial / June 2021
If art has the bandwidth to hold our rejections, emotions, identities, anxiety and insecurities, what kind of an art scene does that make for those who manage the double shift of the immigrant and the professional?
READEditorial / May 2021
Sooner or later, the voice in your speech becomes watchful and you tread softly to avoid stirring the one-culture pot. With a thawing sharpness, you become that token brown person who is professional and diligent, accepting and forgiving.
READEditorial / April 2021
Our work is not separate from the life we are living: it is threatening and at the same time very very satisfying.
READEditorial / March 2021
