Ubuntu Film Club is a collective from Helsinki that organises monthly film screenings and panel discussions.
Ubuntu Film Club interviews Good Hair Day Collective
Ubuntu Film Club (Alice Mutoni, Rewina Teklai, Fiona Musanga) in conversation with Good Hair Day (Saida Mäki-Penttilä, Paloma Sandberg, Akunna Onwen) about why community-based organisations are needed?
Hiwa is interested in research, participatory working, and collective action, but he is also interested in making it, for lack of a better word, fun. Previously written texts and press articles on Hiwa have called him an “extellectual”, someone who gains knowledge from ‘the streets’, through conversations and the exchange of books. Despite the risk of repeating pre-published information, I find it critically important for the sake of reading the following interview to point out that the qualities of humour and satire—to neither take oneself too seriously nor wallow in the miseries of the world—occupy a central position in Hiwa’s work.
READOn Recognising the Moment of Hope: Speaking in Echoes With Hiwa K.
Ubuntu Film Club (Alice Mutoni, Rewina Teklai, Fiona Musanga) in conversation with Good Hair Day (Saida Mäki-Penttilä, Paloma Sandberg, Akunna Onwen) about why community-based organisations are needed?
READWhy Are Community-Based Organisations Needed?
A significant decision in my career was to abandon gallery-based work and pursue my own interests. I began creating pieces independently without telling anyone when I was supposed to complete them or where they would end up. I found creative ways of showing the works; I performed in public spaces or at different events, often filmed those and uploaded them online. I also started to tell other people’s stories, so the video was an excellent format for that, and it started almost accidentally. This was a tremendous professional change for me, and I have continued working that way more or less until now.
READAccessibility Is Not Static: A Conversation With Jenni-Juulia Wallinheimo-Heimonen
Challenging the notion of the singularity of meaning and traversing the zones of fidelity and accuracy of an image, Tanvi Mishra switched to image-making after pursuing an economics degree, realising that the issues that interested her in the social sciences, like policy-making and social justice, were more imaginatively possible through image-making. Our conversation follows her keynote titled Translational / Transnational : world-building beyond bordered identities for the Out of the Metropolis seminar Artists and Curators Working Together: How and With Whom? organised at The Finnish Museum of Photography in mid-February.
READDisrupting Rhetoric, Defining Tenor: An Interview with Tanvi Mishra
