Betty Fvck is an award-winning POC and immigrant queer artist based in Helsinki. She has performed in over 12 different countries and she was featured on over 50 magazines and TV. She is a voice for POC and Queer art to be heard.
House of Fvck is a Drag collective born in 2020 during the Helsinki Pride Week. It was a project for Nuorten Pride to teach young people under 18 to do Drag with makeup, costume and performance; the tutors were Chris Oh! and Betty Fvck.
After the project, the House stayed together with seven members and has kept performing together since then. In this video interview, Betty Fvck is in conversation with four members of the House of Fvck: Annabelle Fvck, a young Drag Diva from Turku who aspires to win the crowd with her charming beauty and slutty attitude; OG BoyPussy, bold and scary Drag who wants to challenge the norms and look like a wizard; Stormy Velvet, a funky, mysterious and androgynous drag character, who loves to bring fantasy and drama to the stage; Alice the Fvck, a dancer with hot moves that will make you scream.
Betty Fvck
OG BoyPussy, Stormy Velvet, Annabelle Fvck, Alice the Fvck
A significant decision in my career was to abandon gallery-based work and pursue my own interests. I began creating pieces independently without telling anyone when I was supposed to complete them or where they would end up. I found creative ways of showing the works; I performed in public spaces or at different events, often filmed those and uploaded them online. I also started to tell other people’s stories, so the video was an excellent format for that, and it started almost accidentally. This was a tremendous professional change for me, and I have continued working that way more or less until now.
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Craftsmanship that leaves a polished finishing and evocative historical notions hidden underneath the fine details. Man Yau’s work with ceramic installations arrests the viewer, while encouraging to revisit and contemplate the uncanny contemporaneity that the artworks embody. In this interview, we discuss artistic processes, practices and labour as well as the intertwining of the personal and the thematic in Yau’s two exhibitions from the spring 2021: M.Y. Chinoiserie at Kuvan Kevät, Exhibition Laboratory, and Dried flowers last forever at Boy Konsthall.
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Hiwa is interested in research, participatory working, and collective action, but he is also interested in making it, for lack of a better word, fun. Previously written texts and press articles on Hiwa have called him an “extellectual”, someone who gains knowledge from ‘the streets’, through conversations and the exchange of books. Despite the risk of repeating pre-published information, I find it critically important for the sake of reading the following interview to point out that the qualities of humour and satire—to neither take oneself too seriously nor wallow in the miseries of the world—occupy a central position in Hiwa’s work.
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Ubuntu Film Club (Alice Mutoni, Rewina Teklai, Fiona Musanga) in conversation with Good Hair Day (Saida Mäki-Penttilä, Paloma Sandberg, Akunna Onwen) about why community-based organisations are needed?
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