Essays
One of the reasons why the sports genre is fascinating is that behind the facade of entertainment, it has many layers of subtext and symbolism attached to it. A well-made sports film hides more than what it reveals. This is why looking deeply at this genre can uncover many nuances and tell us a lot about nationhood, communities, politics, and society.
READWinning The ‘Toss’: A Look At Who Gets A Sports Biopic In India
The 2022 Aurat March ‘Reimagining Justice’ theme encourages the Pakistani society and the State to reimagine legal, economic, and environmental justice to align with a feminist future. It asks that a new and more inclusive perspective of justice be envisioned, expanding its definitions beyond the limited ones granted under the patriarchal system and its legislation.
READAurat March: Reimagining Justice Through Sisterhood & Solidarity
I’ve never felt comfortable exploring my sexuality, and I think I need to engage in this aspect of my creative life. I’m worn, strained and feel a need to revitalise myself. What I’m doing here is an attempt to come to terms with my curiosity. But I might be overdoing it. Instead of working with my issues, I’m jumping in headfirst and committing a public sex act to get over it. We all have to start somewhere, right?
READPersonal Decamerone
The settler-colonial Zionist project may have, for now, occupied Palestine physically, but its failure to occupy the dream of Palestine in the Palestinians inside and outside of historic Palestine not only signifies a failure of the project as a whole but foreshadows a mammoth failure in the future of the necropolitical state.
READOccupying the Palestinian Dream
customer aggressively informs me that he accidentally put in his parent’s address and that i need to take the order to his. he messaged me through the app apparently but, with no signal in the building, i can’t see it. using the younger brother’s phone, i type the address into google maps - it’s two and a half miles away.
READthe brink of the platform: riding with deliveroo
How is it expected of artworkers without access to employment security and no business background to be able to sustain their organizations and initiatives once their grant runs out? Could funding bodies come together to create the possibility of dialogue, the sharing of experiences, and the development of a body of knowledge and toolsets around the topic of post-funding survival and economic sustainability for the initiatives they fund? Or at least create a space for questioning and analysing these futures?
READTaidekirppis: What happens when an archive-based project ends prematurely?
For the past year, I have been teaching the course “Decolonise your Studies” at Aalto University with Kiia Beilinson. Settling on this title was an effort to inspire action, despite believing it’s not really possible to decolonise academia. Teaching the course filled me with feelings of inadequacy and doubt. How can we make sure this course does its name justice, especially in a colonial country like Finland that is still oppressing Sámi peoples’ rights? Are we only playing into an empty buzzword culture that is actually damaging to indigenous rights? How can we justify teaching this course at a university, with its structures of institutional violence?
READOn the limits and possibilities of decolonising universities
Mishandled Archive started in 2017 when Tara Fatehi Irani dispersed an archive of family photographs and documents in public places and created a dance at the site of each dispersal–once a day for a whole year. This led to the creation of a new archive of 365 photographs and dance scores, a performance-installation and a book. In summer 2021, Tara presented the first outdoor performance of Mishandled Archive. She invited poet Nisha Ramayya to attend this performance and write a response to it –to write around and through the performance and its themes, to create a text that thinks with this performance and allows its readers an alternative way into the project.
READChoreographing Dissonance: A Response to Mishandled Archive
To find yourself in a new Syrian school, established in a residential building in Turkey, that teaches the Libyan curriculum to freshly-arrived Syrians, makes you want to tell stories about it.
READTemporary Peace
I believe that exhibitions have a reality-making capacity and a role in shaping public opinion. They can uphold, underpin or prop up ideas that are undervalued. Can curating then expand the way time is generally perceived? Can it attend to the crises of hope? An overview of display practices’ history at least reveals that curating has always reflected the current approach to time.
READIn the Crisis of Time
READ
The silent “forest”
Dolls that imitate the Sámi can be purchased at a souvenir shop or flea market, where they usually end up. There I face these dolls, as our paths cross second-hand and intertwine into a play in the quiet hours, hidden from view. Why do I get the impression that when the dolls are abandoned, they are at their most revealing? The setting is always the same: a brightly coloured gift shelf, a shabby box, or a vague, provocative shelf.
READSeeing my self-image in dolls that imitate the Sámi people
Through everyday engagement with industrial materials and machines, workers often develop strong attachment and a sense of pride towards industries. However, increased care about the industry may influence workers’ estrangement from their bodily needs. As a result, they start prioritizing productivity over their health and well-being. I define intertwined relations of industrial attachment and self-damage as “destructive care.”
READProductive Bodies, Care and Destruction
For this digital space given to us, we opened a Pandora’s Box to reveal why today some of us are still excluded from the so-called ‘winner’s table’. We decided to have a conversation to reflect on the Finnish chapters of our lives, our dreams, and achievements, but we also talked about simple things that could unveil sophistication hidden in simplicity if one wishes to see it.
READA Window to Listen
This is a story about a small group of young artists in Romania (zoom-in on Bucharest, please) and their endeavour of trying to make it in the Art world. We do not know how this will turn out.
READE T A J artist-run space, the 'make it' experience in the Art world
Can a child be a monster? asks journalist Päivi Happonen in an opinion piece published by YLE last year, responding to a case of violent abuse in which four students physically harassed a younger student in their schoolyard in Vantaa during breaktime. The injuries were severe enough for school staff to call an ambulance. In past decades, Finnish society has witnessed several cases of major physical abuse on school premises and violence against teaching staff. Add to this, three school shootings and two other deadly uses of weapons in school facilities between 1981 and 2019.
READTowards Monstrous pedagogies
With this text, we hope to renew a sincere belief that united art workers can do good by calling for candid public discussion on difficult matters. We wish to make clear some of the political affiliations held by the Kiasma Support Foundation, especially in relation to the colonial politics by the State of Israel and hope that this text will open a dialogue with workers of the National Gallery, who despite prevailing uncertainty, remain motivated to better their organization. We hope that art administrators in Finland will usher forward programs, which manifest their political desires and illustrate how they imagine the institutions they lead serving the public.
READOur efforts to show solidarity for Palestine are tested at Kiasma
Sometimes, the role of the facilitator is to take a step back and just let things happen. Sometimes, the role is to steer the subject to where they need to be. And, sometimes, the role can only be defined in retrospect. Hindsight, once again, is a gift. There is a point in our timeline where the potential for all possible outcomes exists. Being mindful of the fact that I, as facilitator, cannot in that moment know for sure which outcome is the best and respecting that potential, I believe, is the key to successful facilitation.
READShrödinger’s backflip
Independently from one another, we began reclaiming a loudly crying face to denote the feeling of being overwhelmingly pained by beauty and our inability to grasp it fully.
READAll I want to do is to hold Your hand and cry the tears of Joy
From our deepest desire to gather an imagined collectivity around us, we fantasize about going to each and every one of our friends, kin and relatives’ places to collect some garments they no longer use, as if they could be keepsakes of their presence. We sent out one hundred identical letters, with an invitation to send us one piece of their old clothes, no longer useful in their closet. If we united them all—we thought—we would be reunited again.
READCelebration of distant bodies
Written on Ice: Edible Memories of the Neighborhood of San Juan has been a six-month-long collective exercise where memories and identities have been transformed into six symbolic edible objects: ice-cream flavors.
READWritten on Ice: Edible Memories of the Neighborhood of San Juan
During this essay, I will reveal how I learned to free myself from work when I was 15 and also amuse you with the intricate ways money developed a firm grip on me later as I fell into a wealth trap at 32 years of age.
READAffordable views
Burning out led to a long process of defining sustainable practices, learning to say no and, from time to time, relapsing. Now that I have made the decision to say that I don’t make art, I would love to share a few insights about how to make agreements and tackle different collaborations within the arts.
READConfessions of a recovering Artist
I am the type of person who needs names and distinction in characteristics to comprehend whatever is happening in my world. I often blame it on growing up as a middle child in an immigrant family: the constant and urgent need to discern and explain what is mine and not. I am Minjee. I am Korean. I am a woman. Where are you from? What is your pronoun? What do I call you?
READWhat do I call you?
Dear Chris,
Consent is a narrow motorway and I’m walking on, half naked on the kerb, clutching my shoes, my books and her words like a schoolgirl at dawn, hoping I’ll be home.
READAbout my Mother: A Series of Open Letters to Chris Kraus — Part I
What started with a few questions regarding the nature of the open call soon grew into a heated debate and triggered an opportunity for the exposure of several arguments and points of view in the form of a much-needed conversation.
READI can’t believe what you say, because I see what you do
Maybe I wanted to believe that deep inside, all humans are artists.
READA Midsummer Encounter
Art universities didn’t teach you that art was a game with certain rules, they rather taught you how to worship the ones who’d figured it all out by themselves. But how about those of us who didn’t want to play by the rules, what was our alternative?
READDear museum of Bad Art (MoBA)
Vacationing requires taking the risk of being bored. No planning. No aspirations. No goals. No distractions. In a world filled with products and services marketing distraction as ‘happiness’, and in a work environment where multitasking is the norm and nothing is ever enough, vacation should be the opposite.
READAchievement ≠ Happiness
