Reviews
Iduozee believes that especially in the United States, the political climate has been operating by pitting mostly poor white people against minorities. However, Iduozee finds this narrative narrow, as it overlooks the middle-class and upper-middle-class people who benefit from racist and unequal structures. Racism is not just perpetuated by poor white people. The narrative that suggests this, is classicist and allows the middle-classes to feel superior and to distance themselves from far-right rhetoric and ideology.
READPrivilege Is in the Eye of the Beholder
In reviewing the photography exhibition Blind Spot(s) Ndéla Faye asks, “how does one capture something like structural racism in images?”
Arriving at a particular watershed moment, Six years in the Third Space is an online publication that earmarks a key milestone in the course of the physical space existing in the city since 2013. It embodies and carries forward the hybridised in-betweenness which the physical space attempts to live by. Informed by a large network of collaborators and shared stories, the collection becomes a living organism, an orbiting satellite — autonomous and yet, carrying the identity of the body that it takes after.
READBut Not Without a Few Battle Scars
Shubhangi Singh reviews Six Years in (the) Third Space publication analogically reviewing also Third Space as the artist-run gallery that harboured a complex place of hybridity.
Though a small-scale artist-run institution, Sorbus presents itself in the back cover of Wasted Years as creating conditions and generating alternative approaches through art activism.
READSix Years
Marina Valle Noronha reviews ‘Sorbus — Wasted Years: sad, sexy, and artist-run’: “To nurture publishing infrastructures is a political action.”
It is productive to imagine commoning as a digital network, where, unlike with embodied presence, it’s impossible to be simultaneously present and absent – you are either online or not.
READProducing and Practicing Presence. Digital Commoning Practices in Oksasenkatu 11.
“Digital Commoning Practices asks us to pay increased attention to what (and who) facilitates our physical and digital presence while we can.”
To write this review in a post isolationist time, it actually took me three trips to get my head around the exhibition, the feel of the island, the spring, and the memories. Especially after coming across a rumor that the independence of Taidekoulu MAA and other private institutions like it are being threatened by cuts in funding. This review is a description of my trail through the exhibition, followed by ruminations on the situation that MAA is facing, based on a chat I had with MAA’s current principal, Minna Henriksson.
READFrom Memories Through the Soil to the Future
Juha Hilpas foregrounds a review of Art School MAA’s exhibition to talk about the school’s importance in nurturing a sense of belonging and networking.
The elation of being able to travel, being able to see an art exhibition in the first place. I pranced around the space in wonder and confusion. Art objects are still being brought together in rooms. My body gets to be here and I don’t know exactly what to make of it.
READTo Be a Verb Sometimes, Sometimes a Noun
Even Minn on capturing a shift in perception and language akin to the non-binary experience in the review of the exhibition ‘Gentle Gestures - Non-binary Conceptions of Difference’
Kirjasto/ Library does not formally announce a thematic drive at its outset, but situates itself within an abstract idea ‘archiving’, or of what a collection, library, or an archive could be.
READA Longing for Something Written in Memory
Ali Akbar Mehta’s review of Kirjasto/Library gathers thoughts on why archive-based exhibition-making practices are required.
